March 2025 - Muthuswami Dikshitar & Ustad Zakir Hussain
- Published By: Sruti
- Issue:
CONTENTS
6 News
& notes
18 Muthuswami
Dikshitar 250 years
24 Ustad
Zakir Hussain
34 Musical
Margazhi 2024-2025
38 Seminar
v
Abhijata - Natya
Kala Conference 2024
44 Natyam
in Margazhi 2024-2025
46 Rear
window v
Vidwan M.A. Narasimhachar
48 Spotlight
v Karnataka
Nritya Parampara
v A
musical journey from South India to Mumbai
v Chasing the Indian
Margazhi dream
59 Point
of view v
The silences in natyam
60 Analysis
v Kamakshi
Navavaranam (part 3)
63 Class
act v Bala
Devi Chandrasekar
66 News
& notes (continued)
74 Bookshelf
78 From
the Editor
Front Cover: Muthuswami Dikshitar
(courtesy: S. Rajam)
Zakir Hussain (From official
website)
No. 468 JANUARY-MARCH
2025 (Quarterly)

Cover Story - Muthuswami Dikshitar
Revisiting Muthuswami Dikshitar on his 250th birth anniversary
Sriram V
If the century spanning 1850 to 1950 was
that of Tyagaraja, the next one undoubtedly belongs to Muthuswami Dikshitar. He
has been the subject of the same intense study that his illustrious
contemporary was previously. The corpus of his songs in public circulation has
gone up tremendously during this period, though debates continue on the
genuineness of some of these. This is exactly the way Tyagaraja kritis went up
in circulation and publications were churned out on them from the mid-19th
century onwards. Dikshitar like a late-blooming flower is slowly unfurling
petal after petal, revealing some, but not all the facets of his personality.
There is something about him that seems to speak to the 21st century
mind.

Cover Story Zakir Hussain
Ustad Zakir Hussain—A
tribute to the tabla maestro
(9 March 1951–15 Dec 2024)
Shailaja Khanna
Inarguably the greatest tabla player, some
would say percussionist of the 21st century, Zakir was born to Alla
Rakha Qureshi in Mumbai. Alla Rakha did not belong to a family of musicians: he
ran away from his home in Jammu to learn music; and then tabla from ustads in
Punjab, which was then the centre of music in North India. Alla Rakha made
Punjab his home for a few decades, till he shifted to Mumbai in 1940 looking
out for opportunities. In Mumbai, under the name of A.R. Qureshi, he made music
for Bollywood. So, when his eldest son Zakir was born in 1951, though
acknowledged as an innovative tabla player, fame and accolades had not yet come
to Alla Rakha. But even then, his stature as a performer was recognised.
Apparently, Vilayat Khan was amongst the first to visit the Alla Rakha home to
congratulate the proud parents, and gifted the baby with a tiny pair of silver
tablas.
Growing
up, despite going to an English-medium school, Zakir trained for more than
eight hours on the tabla— starting from 3.00 a.m., non-stop for three hours. He
came home and continued practice. The young Zakir realised
that his future as a tabla player would be difficult.