Columnist
The Jugalbandi Racket

Nowadays not a month
passes without the announcement of a 'first time ever' duet concert between one
big-name musician and another. Most of these turn out also to be 'last time
ever' events involving the pair. The conclusion is obvious: audiences feel
attracted by the promise, and cheated by the product.
This does not appear to
discourage either bigname musicians or their concert organisers. They seem
surprisingly eager to risk their credibility for the rewards of a onenight
stand. If they had understood Hindustani music a little better, they would have
known better and probably, also acted differently.
A duet, as a presentation
format, is fundamentally inconsistent with the creative aspect of Indian music
and, in addition, the meditative-contemplative character of Hindustani music.
As a predominantly improvised form, it can really accommodate only one
musician. Any accompaniment, whether drone, melodic or rhythmic, must be
supportive and complementary, not competitive or distracting.